The Haunting 400 Speed 35mm Film
Have you ever wanted your photos to look like The Haunting’s? No? Their photos all look like shit? Well that’s the point! For the last year or so, we’ve been shooting strictly using old expired Kodak cinema 2238 film. Our brother Bretton has an entire refrigerator filled with this stuff, and has gone and messed with the chemistry of the emulsion on these film stocks, to make these rolls even more experimental. We then decided to label these and sell them as our own film, The Haunting 400.
This is a black and white film stock, that MUST BE PROCESSED AS BLACK AND WHITE! PLEASE DO NOT FORGET TO TELL YOUR LAB (OR REMIND YOURSELF) THAT IT MUST BE DEVELOPED AS BLACK & WHITE. Despite the label sayING to develop in C-41 chemicals, IGNORE THE LABEL. We’ve tested 10+ rolls, and have found that they turn out significantly better when shot and developed as black and white film. With 18 shots per roll, you never know what the hell you’re gonna get. But, I can promise you they’ll be interesting. If you’re looking for perfect, clean, crispy photos, this is not for you. However, if you love grain, grime, light leaks and the likes, this is for you!
We neglected to put a Dx code on the back, so if you’re shooting with a point and shoot camera, be sure to check what speed your camera defaults to. For instance, Casey’s Contax T3 defaults to 100iso, so he has to shoot this roll pushed 2 stops for it to reach the desired 400 iso.
Have you ever wanted your photos to look like The Haunting’s? No? Their photos all look like shit? Well that’s the point! For the last year or so, we’ve been shooting strictly using old expired Kodak cinema 2238 film. Our brother Bretton has an entire refrigerator filled with this stuff, and has gone and messed with the chemistry of the emulsion on these film stocks, to make these rolls even more experimental. We then decided to label these and sell them as our own film, The Haunting 400.
This is a black and white film stock, that MUST BE PROCESSED AS BLACK AND WHITE! PLEASE DO NOT FORGET TO TELL YOUR LAB (OR REMIND YOURSELF) THAT IT MUST BE DEVELOPED AS BLACK & WHITE. Despite the label sayING to develop in C-41 chemicals, IGNORE THE LABEL. We’ve tested 10+ rolls, and have found that they turn out significantly better when shot and developed as black and white film. With 18 shots per roll, you never know what the hell you’re gonna get. But, I can promise you they’ll be interesting. If you’re looking for perfect, clean, crispy photos, this is not for you. However, if you love grain, grime, light leaks and the likes, this is for you!
We neglected to put a Dx code on the back, so if you’re shooting with a point and shoot camera, be sure to check what speed your camera defaults to. For instance, Casey’s Contax T3 defaults to 100iso, so he has to shoot this roll pushed 2 stops for it to reach the desired 400 iso.
Have you ever wanted your photos to look like The Haunting’s? No? Their photos all look like shit? Well that’s the point! For the last year or so, we’ve been shooting strictly using old expired Kodak cinema 2238 film. Our brother Bretton has an entire refrigerator filled with this stuff, and has gone and messed with the chemistry of the emulsion on these film stocks, to make these rolls even more experimental. We then decided to label these and sell them as our own film, The Haunting 400.
This is a black and white film stock, that MUST BE PROCESSED AS BLACK AND WHITE! PLEASE DO NOT FORGET TO TELL YOUR LAB (OR REMIND YOURSELF) THAT IT MUST BE DEVELOPED AS BLACK & WHITE. Despite the label sayING to develop in C-41 chemicals, IGNORE THE LABEL. We’ve tested 10+ rolls, and have found that they turn out significantly better when shot and developed as black and white film. With 18 shots per roll, you never know what the hell you’re gonna get. But, I can promise you they’ll be interesting. If you’re looking for perfect, clean, crispy photos, this is not for you. However, if you love grain, grime, light leaks and the likes, this is for you!
We neglected to put a Dx code on the back, so if you’re shooting with a point and shoot camera, be sure to check what speed your camera defaults to. For instance, Casey’s Contax T3 defaults to 100iso, so he has to shoot this roll pushed 2 stops for it to reach the desired 400 iso.